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In poems that express an oblique and resonant disquiet ('people dream of a lady/ in a boat, dressed in red/ petticoat, adrift and weeping') and a sequence that addresses memories of the death of the Grenadian revolution, too painful to confront until now, Merle Collins writes of a Caribbean adrift, amnesiac and in danger of nihilistic despair... But she also achieves a life-enhancing and consoling perspective on those griefs. She does this by revisiting the hopes and humanities of the people involved, recreating them in all their concrete particularity, or by speaking through the voice of an eighty-year-old woman 'making miracle/ with little money because turn hand is life lesson', and in writing poems that celebrate love, the world of children and the splendours of Caribbean nature. Her poems take the 'new dead ancestors back to/ mountain to feed the fountain/ of dreams again.
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Brings together the second and third parts of Mark McMorris's "Auditions for Utopia" trilogy. Marks two stages in the evolution of the poet's conception of space, with poetry following a trajectory of diaspora, or exile, instigated by conquest, colonialism, wars, and political defeat, which is to say the search for Utopia.
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From the 1930s to the new century, Doux Thibaut, one of Merle Collins’ most memorable characters, negotiates a hard life on the Caribbean island of Paz. The Ladies are UpstairsFrom the 1930s to the new century, Doux Thibaut, one of Merle Collins’ most memorable characters, negotiates a hard life on the Caribbean island of Paz.£8.99Author(s) Merle CollinsISBN 9781845231798Pages 160Price £8.99Classification Fiction, Short StoriesSetting Imaginary Caribbean, GrenadaDate published 1 May 2011As a child there is the shame of poverty and illegitimacy, and there are the hazards of sectarianism in an island divided between Catholic and Protestant, the rigidity of a class and racial system where, if you are black, your white employer is always right—and only the ladies live upstairs. Doux confronts all such challenges with style and hidden steel.We leave Doux as an old lady moving between the homes of her children in Boston and New York, wondering whether they and her grandchildren really appreciate what her engagement with life has taught her. In these tender and moving stories, Merle Collins demands that we do not forget such lives. If ghosts appear in several of the later stories, they are surely there to warn that amnesia about the past can leave disturbed and restless spirits behind.In addition to the Doux stories, this collection restores to print an earlier ‘Paz’ story, “Rain Darling”, and their juxtaposition contrasts two very different responses to the hazards of life.
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Caribbean Area --- Caribbean Area --- Caribbean Area --- Caribbean Area
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